Dan Snaith is a Canadian electronic musician who has spent twenty-five years recording under three names — Manitoba, then Caribou, then Daphni — while quietly holding a doctorate in number theory. Born Daniel Victor Snaith on March 29, 1978 in Dundas, Ontario, he is the son of mathematician Victor Snaith and brother of mathematician Nina Snaith. He moved to London in 2001 to pursue a PhD at Imperial College London, completing it in 2005 under Kevin Buzzard; the British Library's EThOS catalog titles the thesis "Overconvergent Siegel modular forms" (the Mathematics Genealogy Project renders it "Modular Symbols"). He has described mathematics and music as the same kind of abstract play, and his own thesis as "original, but I would still call it trivial."
Three names
As Manitoba he made warm, loop-based electronic records — the People Eating Fruit EP (2000), Start Breaking My Heart (2001), and Up in Flames (2003), touring with Stereolab, Four Tet, Broadcast, and Prefuse 73. In 2004, Dictators frontman Richard "Handsome Dick" Manitoba pursued a US trademark action over the name; Snaith, facing a case he "couldn't afford to lose," announced the change to Caribou that October, telling Cleveland Scene the affair cost him "thousands and thousands just to give in." The new name, he has said, arrived on an LSD trip in the Canadian prairies courtesy of a bear — an anecdote he has retold often enough that it functions as origin myth rather than verifiable history.
As Caribou he became a critical fixture: The Milk of Human Kindness (2005) on Domino, then Andorra (2007) — made "at home in a bedroom" — which won the third Polaris Music Prize in 2008. Swim (2010) was his pivot toward what he called "liquid dance music" and was named album of the year by Resident Advisor, Mixmag, and Rough Trade. Our Love (2014) brought the biggest audience — a Polaris shortlist, a Grammy nomination, and "Can't Do Without You" — followed by Suddenly (2020), his most personal record and a Juno winner, and Honey (2024), a club-scaled record whose vocals are all his own, transformed by AI voice tools into other singers.
Daphni, meanwhile, began as a filing system: tracks appearing uncredited on his 2011 Resident Advisor podcast, a rapid split single with Four Tet ("Ye Ye"/"Pinnacles"), then a self-run label, Jiaolong, built for pressing-plant speed — "no plan, no PR." Four Daphni albums (Jiaolong, Joli Mai, Cherry, Butterfly) and a FabricLive mix made largely of his own productions document the project.
What he believes
Two commitments recur. First, dance music as emotional substance: "dance music isn't just escapism — it's about life," he told the Guardian, and he positioned Daphni against what he called the macho "shooting match of guys with electronic toys," claiming kinship with the gay-club lineage of New York dance music. Second, music made for connection: after Swim connected unexpectedly widely, he described Our Love's impulse as "making something for everybody to listen to" — and, of Suddenly, "I want it to sound like a hug."
How he works
The process is private and domestic: alone at home — bedroom, then basement — working around school runs and family evenings, finishing music before naming it (he hates naming; "Suddenly" was his daughter's word). Other people's records are raw material — loop-collage in the Manitoba era, Gloria Barnes on Suddenly's "Home," MARRS and René & Angela on Honey — and on Honey his own voice finally entered the same machinery, run through AI models until it passed for other singers. The dividing line between Caribou and Daphni, once a real organizational principle, has lately been publicly collapsing: Butterfly's lead single is billed "Waiting So Long (feat. Caribou)."
What the record does not settle
Sources disagree on small things — the thesis title, whether the Manitoba action was filed or threatened — and the catalog leaves the Daphni name unexplained, the current band lineup unconfirmed, the exact extent of Honey's AI processing undocumented, and any post-2005 mathematical activity unaddressed.
This index was compiled from public sources and does not imply the subject's endorsement. Citations live in the packet's source catalog.